SWATHITHIRUNAL
ACCESSION TO POWER
Swathi
Thirunal Rama Varma was born on the 16th
April 1813as the son of Rani Gouri Lakshmi Bhai, the ruling Queen and
Rajaraja Varma Valia Koil Tampuran of Changanassery. Swathi Thirunal
was a ‘Yajurvedic,
Baudhayana, Dwija
Kshatriya
and belonged to the Bhargava
Gothra’.1
The prince was born under peculiar circumstances. The land which was
consolidated and set on a firm footing by the great Marthanda Varma
and made more settled and peaceful by his illustrious successor Rama
Varma popularly known as Dharma Raja. His successor Bala Rama Varma
was not blessed with continuous progress for a few years, from 1798
till 1810. But luckily
under the guiding hand of Colonel Munro the reign of Rani Gouri
Lakshmi Bhai brought in a new era of peace and prosperity.2
This happy period of augury was blessed by the birth of Swathi
Thirunal. The birth of the prince was celebrated all over the state
as an event of great importance. The joy of the King, Queen and even
the subjects knew no bounds.3
Their joy was really redoubled at the news at the news that a white
elephant was caught from the high range hills soon after the event.4
From the very conception he was maharaja as there was no male member
in the family to succeed Lakshmi Bhai, his mother. The new born had,
therefore the claim for the throne even before he was born and thus
he came to be known as Garbhasriman.
The
renowned poet Irayimman Tampi of the royal court poured forth in
ecstasy his immortal lullaby Omanathinkal
Kidavo
identifying his baby master with all that is noble, valuable and
wonderful in the world.5
So great was the general rejoicing that even Colonel Munro presented
a silver umbrella set with emerald pendants to Sri Padhmanabha Swami
to mark the occasion.6
The
prince was named after Rama Varma, but he was called Swathi Thirunal.
According to the prevalent practice the prince’s name was
associated with the star under which he was born and Rama Varma was
born on the day of Swathi star.7
The Regent Rani Gowri Lakshmi Bhai could not proclaim Swathi Thirunal
as the Maharaja before proclaiming him as a Sri
Padmanabha Dasa.
The religious ceremony that makes a Prince of the Royal house a Sri
Padmanabha Dasa
is performed in front of the Deity on the Ottakkal
Mandapam,
the single stone platform in front of the Sanctum Sanctorum. A Prince
of the Royal family was allowed to be entering even inside the outer
wall of the temple only when he completes one year of age or
thereafter.8
When the news of the birth of a male heir to the throne of Travancore
reached the Governor General, he ordered that the young Prince should
be proclaimed as the Maharaja and that the Queen should step down and
rules the country as the Regent. It was a problem for Rani because
Swathi Thirunal was only four months old when the instruction from
Lord Minto reached Rani Gowri Lakshmi Bhai. She could not break the
laws of the temple and of her family, and at the same time she could
not disobey the instructions of the East India Company. So she was
under compulsion to solve the problem by satisfying both the
religious and family obligations on the one side and the political on
the other. In 30th
of Mithunam
988 M.E. Rani Gowri Lakshmi Bhai informed the Madras Government
through the Resident Colonel Munro that the month of Karkataka
was
not
favourable
for the proclamation according to the religious belief and customs.
And as there were only just two days for the Karkataka
month to begin, there was not enough time to make the arrangements
either. She also conveyed that the proclamation declaring Swathi
Thirunal as the Maharaja would be issued in the month of Chingam
(Avani-Leo).The Madras Government transmitted the Queen’s words to
Governor General.
The
matter was discussed at various levels by eminent scholars and
finally a solution was presented before Rani Gowri lakshmi Bhai. The
suggestion was that the ceremony could be conducted in the Natakasala
of the temple in the first instance, as a temporary arrangement.
Then, when Swathi Thirunal attained one year of age, the ceremony
could be repeated with all the accessories, on the Ottakkal
Mandapam
as is the usual custom. The Queen was much relieved by this
suggestion and thus on the 28th
of August 1813, Gowri Lakshmi Bhai, with the blessings of all, took
the four month old baby to the Natakasala.
With the accompaniments of Mangalavadya
and the chanting of Mantras,
the then Chief priest of Sri Padmanabha Swami temple, brought
Theertha
and Prasada
and sprinkling them on Swathi Thirunal and proclaimed him Sri
Padmanabha Dasa.9
The next ceremony, by which he became the Maharaja, was also
performed. Along with sandal and flowers the Udavaal
was given to Swathi Thirunal by the Chief priest Machipurath
Narayanan Kesavan. When the baby hand of four month old Swathi
Thirunal curled around the hilt of that sword, he became the
Administrator of Travancore, to rule the land on behalf of Sri
Padmanabha who was the real king of Travancore. It may be remembered
that the sword seen in the portraits of Swathi Thirunal does not
represent kingly might or material power, it is the ‘Insignial’
sword of Sri Padmanabha and only a Sri
Padmanabha Dasa
could hold it. Thus both obligations, that of making Swathi Thirunal
a Sri
Padmanabha
Dasa
and proclaiming him as the Maharaja were performed on the same day.
The Maharani then issued a proclamation for the knowledge of all
that, Swathi Thirunal had become the Maharaja of Travancore and that
she would rule the country as the Regent till he attained majority.10
On
the 4th
May 1814 Swathi Thirunal completed one year of age and both the
ceremonies were repeated with great devotion and grandeur on the
Ottakkal
Mandapam
and at the Kodimaram.
In the long history of the Royal family of Travancore, only Swathi
Thirunal has the unique distinction of being made a Sri Padmanabha
Dasa
twice in his life.11
The Queen mother continues in the office as the Regent of the infant
Maharaja. In 1815 Rani Lakshmi Bhai gave birth to another prince,
Uthram Thirunal Marthanda Varma. But soon after, the Rani died
prematurely. Subsequently
Rani Parvathi Bhayi was declared as Regent. She ruled over the State
till Swathi Thirunal became the king in 1829.
Childhood
and Education
Swathi
Thirunal was a sagacious person who displayed qualities of
intelligence and talent even from his childhood. When he was at the
age of seven and his brother at five, their education began. The
education of the prince was done under the direct supervision of his
aunt, Rani Gowri Parvathi Bhayi and father Rajaraja Varma Valia Koil
Tampuran. Colonel Munro also paid personal attention in the matter
and appointed a very competent scholar and tutor Kochupilla Variar of
Haripad to teach Sanskrit and Malayalam to the Maharaja. Instructions
in the Sastras
and Sanskrit were supplemented by his father Rajaraja Varma.12
The
Mastery of a number of languages was considered as an accomplishment
during his days. According to the Ramavarma
Vijaya,
a contemporary literary work, Swathi Thirunal achieved proficiency in
eighteen languages.13
He had gained much proficiency in Sanskrit, English, Persian,
Hindustani, Marathi, Telugu, Karnatic, Tamil and Malayalam.14
He was a good scholar in Sanskrit. This has been vouched
by the other scholars as well.15
Special
care was taken to educate the Maharaja in the English language for
the whole of India was under the direct control of the British and
communication with the rest of India and with the British therefore
was possible only in English. Among his many tutors the most
outstanding was Subha Rao who taught him English.16
Subha Rao of Tanjore , who was, to a great extent responsible for
making Swathi Thirunal what he was. Being an all round scholar, this
‘English Subha Rao’ as he was known, who later became Diwan,
taught Swathi Thirunal Political science, Ethics and miscellaneous
subject including even Music, in addition to English and Marathi.
Telugu was taught by one Subbarama Bhagavatar, Persian by the Syed
Nizam Moidu and later by Mohideen Shah and Marathi by Sesha Panditar.
Swathi Thirunal was always contemplative even from boyhood.
Philosophy was always dear to him. Sivaramaguru known as Kshirabdhi
Sastri taught him Advaita Vedanta.17
Colonel
Welsh speaks in very high terms of the attainments of the prince in
English and other languages, even though he was only a boy of
thirteen at that time. Colonel Welsh, a commandant of the British
force, has recorded a very high opinion of his versatile abilities in
his Military Reminiscences in 1825.
“I
had the opportunity of witnessing the studies of the young Rajas in
private, and forming an estimate of their progressive acquirement and
abilities... The elder boy [Swathi Thirunal], now thirteen... read a
chapter of Malcolm’s Central India, the Governor General’s
Persian letter on the capture of Rangoon, a passage in Sanskrit and
in Malayalam and seemed equally clear at each...which as jaw meter to
measure the earth, and that many of our mathematical terms were also
derived from the same source such as hexagon, heptagon, octagon,
decagon, duo decagon, etc... to the Masnud the moment he had attained
his sixteenth year.”.18
This gives an idea of the range of his studies and his linguistic
proficiency. In a letter written to his brother at Pudukotta in
August 1827, Subha Rao states:
“The
Prince has already made considerable progress in his learning, anyway
my conscience assures me that I have done my duty sincerely as a
tutor, because the liberal knowledge he has acquired under my tuition
by the study of Ethics, Mathematics, History and Logic is think
adequate to render him worthy of the rank he is destined to hold in
society19.”
Swathi
Thirunal received a very sound education in the theory and practice
of music. The royal family of Travancore has been famous for its
liberal patronage to art and literature. Maharaja Swathi Thirunal was
not an exception to this. The early lessons in practical music were
given him by Karamana Subrahmanya Bhagavatar, a prominent member of
the troupe of musicians attached to the royal house-hold20.
Tanjore Subha Rao taught the Maharaja Carnatic music in its refined
form as current in Tanjore. It was Meruswami otherwise known as
Ananta Padmanabha Goswami, a Maratha saint singer who initiated the
Maharaja in the intricacies of Carnatic music and made him a
Nadopasaka.21
Swathi Thirunal also received sound knowledge in music from the great
musicians like Vativelu and his brothers, popularly known as Tanjore
Quartette. Literary activities of various kinds emerged spontaneously
from his mighty intellect. In the fields of acrobatics, wrestling,
magic, painting and carving, in short, in all branches of art, Swathi
Thirunal showed great interest and thorough understanding. Thus
Swathi Thirunal attained much knowledge in art, architecture, music,
and dance and even in painting. A musician and musical composer of
rare talent, Swathi Thirunal’s reign was the encouragement of fine
arts in Travancore.22
Enthronement
The
Upanayana
ceremony of Swathi Thirunal was conducted on the 18th
of January1828. Since the Upanayana was conducted around the age of
fourteen along with the Samavartana,
the Kshatriyas
of Kerala were considered as having attained their majority, when the
Samavarthana was over. Even though the Prince Rama Varma was
proclaimed Maharaja of Travancore on 28th
July 1813, he formally assumed direct charge of the administration at
the age of sixteen. When Rani Gowri Lakshmi Bhai died, Swathi
Thirunal was very young and so Rani Gowri Parvathi Bhai had to act as
the Regent of the country. The illustrious sovereign was really the
king of Travancore from the very day of his birth, but His Highness
having now attained his majority, was formally installed on the
masnud in his sixteenth year, and assumed charge of affairs from the
Regent Rani Gouri Parvathi Bhai on the 10th
Madom 1004 M.E [21st
April 1829. AD]. In the year 1829, Swathi Thirunal assumed
sovereignty over the country through a royal proclamation23
and the coronation of the Raja took place in the same year. The
ground was well prepared for Rama Varama to effect numerous reforms
to bring peace and prosperity to the state. Notwithstanding his
youth, His Highness’s aptness for the right discharge of the
functions devolving on him was something wonderful. Besides, His
Highness was fortunate in receiving the kingdom from the hands of
Rani in a most flourishing condition, the result of the judicious
administration of the last eighteen years by two of His Highness
predecessors, his mother Lakshmi Bhayi and his aunt Parvathi Bhayi,
the financial state of the country was promising. The state contained
a very contented population and the machinery of the administration
was worked by the best agencies.24
The
young Maharaja had also the advantages of the advice of his worthy
father, the able tutor, the meritorious Diwan,
and many experienced persons. The Resident Colonel Morison was also a
staunch supports of the Maharaja. These auspicious circumstances and
advantages, and His Highness talents and the requisite qualifications
gave prospects of a happy and glorious reign to which the people in
general looked forward with feeling of pleasure.25
The reign of Swathi Thirunal was a ‘Golden Age’ in the history of
modern Travancore.
Swathi
Thirunal had two wives. He married a commoner Narayani Pillai
Thankachi of Thiruvattar in 183026,
attracted by her proficiency in veena. An Amma veedu was constructed
for her outside the west Fort in Trivandrum, sixteen years later. The
reason for this obscurity is said to be purely personal and private.
But it is said that their relations were however, strained for some
time and piece of lyric was composed by Irayimman Tampi for
reconciliation. There is also another view that in course of time
Swathi Thirunal married Sugandha Valli, a dancer from Tanjore - that
too due to her extraordinary skill in dancing.
When
Swathi Thirunal assumed the reigns of administration, from then
onwards he bestowed his personal attention on the affairs of the
state. The young prince ruled the country with great courage and
expectations. Even though the King ruled so efficiently, the Company
officials had their own doubts about the capability of the young
prince. So they sent Lushington, Governor of Madras to Travancore.
The Governor of Madras, Mr. Lushington, paid a visit to Travancore
and had an interview with the young Prince at Quilon, in the early
part of August 1830. His Excellency, the Governor was highly
delighted with the affability, intelligence, wisdom and gentlemanly
disposition of His Highness.27
The Object of this visit of the Governor – appears to have been to
satisfy himself as to the qualifications of so young a Prince for
ruling Travancore. With his talent and proficiency it became clear
that he would be very apt for the task to eliminate corruptions in
administration and to promote the dignity of the state. The prince
began his rule with great hope and confidence to highlight the status
of Travancore as a glorious state. Thus, the reign of Swathi Thirunal
Rama Varma witnessed an administrative and cultural revival of
impressive dimensions.
1
R. P. Raja, New Light on Swathi Thirunal, Trivandrum, 2006,
p. 194.
2
Poovathoor Ramakrishna Pillai, Bhaktimanjari of Swathi Thirunal:
A Critical Study, Trivandrum, 1993, p. 11.
3
M. Raja Raja Varma, Selected Essays, Trivandrum, 1940, p. 2.
4
P. N. Kunjan Pillai, Sri Swathi Thirunal Maharaja (Mal),
Trivandrum, 1950, p. 57.
5
A. H. Fox, The Music of Hindustan, Oxford, 1994, p. 63.
6
V. Nagam Ayya, The Travancore State manual, Vol. I, Delhi,
1989, p.482.
7
Gqwri Kuppuswmi and M. Hariharan, Royal Patronage to Indian
Music, Delhi, 1984, p. 113.
8
R. P. Raja, op.cit., p. 199.
9
Ibid, p. 201.
10
Mathilakam Documents, Churuna. 805, Ola. 4-5.
11
R. P. Raja, op.cit., p. 202.
12
S. Venkita Subramonia Iyer, Swathi Thirunal and His Music,
Trivandrum, 1975, p. 5.
13
S. Venkita Subramonia Iyer, ‘The Ramavijaya Champu’, The
Journal of Oriental Manuscript Library, Vol.XVI, Trivandrum,
1967.
14
P. Shungoonny Menon, A History of Travancore, Madras, 1878,
p. 312.
15
T. K. Velu Pillai, The Travancore State Manual, Vol.II,
Trivandrum, 1940, p. 546.
16
P. N. Kunjan Pillai, op.cit., pp. 17-18,
17
Gowri Kuppuswami and M.Hariharan, op.cit.
18
P. N. Kunjan Pillai, op.cit., pp. 394-395.
19
S. Venkita Subramonia Iyer, ‘Maharaja Swathi Thirunal and His
Times, The Journal of Music Academy, Vol. XXII,
Madras, 1951, p. 156.
20
Ibid, p. 157.
21
Gowri Kuppuswami and M. Hariharan, op.cit.
22
A. Sreedhara Menon, A Survey of Kerala History, Kottayam,
1967, p. 269.
23
R. P. Raja, op.cit., p. 205.
24
Selected Proclamations by the Sovereign from 1811-1936, Sri
Chitrodaya Huzzur Central Vernacular Records, Series No.1,
Trivandrum,1937
25
P. Shungoonny Menon, op.cit., p. 298.
27
V. Nagam Ayya, op.cit., p. 486.
No comments:
Post a Comment